Tuesday, August 02, 2005
The Format
Francis Ford Coppola. Gus Van Sant. Spike Lee. These are the men I wanted to be. As a kid, I looked up to George Lucas and Steven Spielberg. As I got older, I wanted to be Martin Scorcese. I learned the elements of writing and photography. I listened to U2 and R.E.M. wonder where I could put "Bullet the Blue Sky" and "Radio Free Europe" into the script. I watched documentaries and listened intently to the way adults talked about film. I acted. I shot video. And I read like a muthafucka.
Movies, as a kid, are the culmination of our imagination. The making of movies movies are a complicated matter. But as a kid, you don't get wrapped up in the production, you get wrapped up in the results. And when you start to think about what it might have taken to make a movie like that, nothing in your mind seems to prevent you from thinking it would be worth the effort.
As I've aged I realized that any art worth telling your peers about is worth the effort. Though I may not now be an artist, I can certainly hearken back to the old days when I used to see a movie like "Aliens" and then run home to tell my family what a masterpiece it was. That actually happened. In college, I wrote a column for a zine called "Denizine" which sadly is no longer online. The column was a weekly number featuring my reviews of new releases of feature films. And now, from time to time, I'll write a review here, in my blog, if for no other reason than to not forget. As defeatist as that sounds, I know none will read these words who I do not personally direct here. And I lack the energy to personally direct much of anything anymore.
So I'm wondering what it would take to write a weekly segment on the art that I adore. Better than that, why just write it? Why not sample it, cut it, mix in my ideas on top and republish? Not so much a mash up for the sake of mashing up, but a critique. I'm thinking Roger Ebert in the age of podcasting; less passive and more digital.
Just thinking.
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